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The Structure of the Artistic Text by Yuri M. Lotman, , available at Book Depository with free delivery worldwide. SLA VIC CONTRIBUTIONS. JURIJ LOTMAN. THE STRUCTURE OF. THE ARTISTIC TEXT. Translated- from the Russian. by Gail Lenhoff ana Ronald Vroon. MICHIGAN SLA VIC CONTRIBUTIONS JURIJ LOTMAN THE STRUCTURE OF THE ARTISTIC TEXT Translated” from the Russian by Gail Lenhoff and Ronald V .

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The number of his printed works exceeds titles. Lotman studied the theory of cultureRussian literature, history, semiotics and semiology general theories of signs and sign systemssemiotics of cinema, arts, literature, robotics, etc.

Google Books — Loading Commutation test Paradigmatic analysis Syntagmatic analysis. References to this work on external resources. Add to Your books.

Oc 1 Box 1 cultural studies 2 Fink 1 kultuuriteooria 1 literary criticism 2 literary studies 2 literary artistc 3 literature 1 Literaturwissenschaft 1 media 1 narratology 1 NIX 1 poetics 1 semiootika 3 semiotics 4 semiotics spcpy 1 structuralism 3 Strukturanalyse 1 Studium 1 text analysis 1 UTB 1 utopia 1.

It is the most complex form of discourse imaginable, condensing together trxt systems each of which contains its own tensions, parallelisms, repetitions and oppositions, and each of which is continually modifying all of the others. Lotman has learned the lessons of reception theory well. By using this site, you agree to the Terms of Use and Privacy Policy.

The structure of the artistic text – I︠U︡riĭ Mikhaĭlovich Lotman – Google Books

Differences and parallelisms in the text are themselves relative terms, and can only be perceived in relation to one another. Yuri Lotman’s wife Zara Mints was also a well-known scholar of Russian literature and Tartu professor.

CD Audiobook 0 editions. In poetry, it is the nature of the signifier, the patterns of sound and rhythm set up by the marks on the page themselves, which determines what is signified.


Sign relation relational complex. Project Gutenberg 0 editions. An individual word may relate to another word through assonance, to another through syntactical equivalence, to yet another through morphological parallelism, and so on. The Structure of the Artistic Text. Whatever we perceive in the text is perceived only by contrast and difference: Lightweight Theme by Strucrure Kim.

Catalog Record: The structure of the artistic text | Hathi Trust Digital Library

In other projects Wikimedia Commons. From Wikipedia, the free encyclopedia. Wikipedia in English None. Lotman graduated from secondary school in with excellent marks and was admitted to Leningrad State University without having to pass any exams.

In he received the Gold Medal of Philology, the highest award for a philological scholar. In these fields, Lotman has been one of the most widely cited authors. And since any two words whatsoever may be juxtaposed on the basis of some equivalent feature, this possibility is more or less unlimited.

Lotman Jurij. The Structure of the Artistic Text

Revzin and Georgii Lesskis. Bust of Yuri Lotman by Lev Razumovsky, Your use of the th and services yhe subject to these policies and terms.

For more help see the Common Knowledge help page. His professors at university were the renowned lecturers and academicians — GukovskyAzadovskyTomashevsky and Propp. Even the absence of certain devices may produce meaning: He was drafted in and during World War II served as a radio operator in the artillery. InLotman coined the term semiosphere. He was a member of the Estonian Academy artistoc Sciences. Lotamn to find an academic position in Leningrad due to anti-Semitism he was unable to apply for a PhD programLotman went to Estonia in and from began his work as a lecturer at the Department of Russian language and literature of Tartu University and later became head of the department.

There he studied philology, which was a choice he made due to Lidia Lotman’s university friends actually he attended university lectures in philology whilst he was still at secondary school.


The literary work, indeed, is a continual generating and violating of expectations, a complex interplay of the regular and the random, norms and deviations, routinized patterns and dramatic defamiliarizations. A poem, in fact, can only be re-read, not read, since some of its structures can only be perceived retrospectively.

Despite this unique verbal richness, Lotman does not consider that poetry or literature can be defined by their inherent linguistic properties. Recently added by hnsvljnMarioCortipetronius86t.

His elder sister Inna Obraztsova graduated from Leningrad Conservatory and became a composer and lecturer of musical theory, his younger sister Victoria Lotman was a prominent cardiologist, and his third sister Lidia Lotman was a scholar of Russian literature of the second half of the 19th century on staff at the Institute for Russian Literature of the Russian Academy of Science Pushkin House she lived in Saint-Petersburg.

Retrieved from ” https: Yuri Mikhailovich Lotman Russian: Become a LibraryThing Author. No current Talk conversations about this book. If two words are associated together because of their similar sound or position in the metrical scheme, this will produce a sharper awareness of their similarity or difference of meaning.

He was the founder of the Tartu—Moscow Semiotic School. Biosemiotics Cognitive semiotics Computational semiotics Literary semiotics Semiotics of culture.

This page was last edited on 9 Septemberat Poetry activates the full body of the signifier, presses the word to work to its utmost under the intense pressure of surrounding words, and so to release its richest potential.