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FABIAN VON AUERSWALD PDF

The Art of Wrestling by Fabian von Auerswald. The Art of Wrestling: 85 pieces to the honorable and gracious Electors of Saxony by Fabian von Auerswald. Fabian von Auerswald was a German Renaissance master of Ringen (wrestling). In , at the age of 75, he completed a beautifully. Find the perfect fabian von auerswald black & white image. Huge collection, amazing choice, + million high quality, affordable RF and RM images. No need.

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Fabian von Auerswald – after was a 15thth century German wrestling master. He served as wrestling master to John Frederick, Duke of Saxony, and mentions in his introduction that he instructed the children of the Elector and of members of the court in wrestling. InAuerswald completed an extensive treatise on grapplingwhich was later illustrated by Lucas Cranach the Elder and published posthumously in by Hans Lufft under the title Ringer kunst: One of the earliest printed treatises on wrestling, the book includes lucid descriptions and detailed illustrations of all of its 85 devices, auersaald one of only two known descriptions of the game called “wrestling in the pit”.

Fabian von Auerswald – Wikidata

Auerswald’s work also formed the foundation for Paulus Hector Mair ‘s treatment of the subject fabain his own compilation fencing manuscripts of the s. Completed Translation Archetype by James Klock. Archetype Transcription by Keith P. Von dem Andbindenn In diesem stande kan man gar eigentlich sehen was den Autor fur vorteill gebe [aucht? Vors aeurswald sehet er noch gar niedrig vnd nicht mit ausgestrackten gliedern damit ihn der so kegen ihm sehet, [?

Zum dritten hat er seine hende noch gar dichte zuesamen und verschlossen, damit ihn sein keger, theil, nicht irgend bey einem finger oder daumen ergreiffen kan vnd ihn darnach also zue sich ziehen vnd zue bodem werffen welches auch sonderlich wol sol gerne [?

Here I bring my left arm over his left from behind, and heave his left leg up from the inside over the knee, and step with my left leg behind his right. The grip and the step must be done in one motion, and also done quickly. And this goes on both sides. Da falle ich mit meinem lincken Arm uber seinen lincken hinuber und hebe von inwendig sein lincke Bein uber dem Knie auf, und trete mit meinem lincken Schenckell hinter seinen rechten, Da mus das uberfallen fabiab trit ein ding sein, so schnel mus er zugehen.

Und das gehet von beiden seittenn. Das Ander stucke des Schlossringens. Da falle ich mit meinen lincken Arm uber seinen lincken hinuber und hebe von innwendig sein lincke Bein uber dem Knie auff, und trette mit meinem lincken schenckel hinder seinen rechten, Da mus das uberfallen und trit ein auerswaod sein, so schnel mus er zugehen.

Und das gehet von beiden seiten. Wenn ich im abgewinden habe, so kome ich mit meiner rechten Faboan an seine rechte Hand, und mit meiner lincken Hand an seinen rechten Elnbogen, und zucke in fur mir uber, und im zucken, wisch ich mit meiner lincken Hand unter seinem rechten Arm hindurch, uber seine Brust, und im zucken, tret ich mit meinem lincken Schenckel hinter seinen rechten, So hebe ich in mit der lincken huffe, und bin sein gantz gewaltig. In the assault I catch his left hand with my right and lift it up, and run through under his left arm with my head and body, and step my left leg towards his right leg and straighten myself up, then I have him overpowered on my left hip.

Im angreiffen erwische ich im seine lincke hand mit meiner rechten, und zucke dir ubersich, und lauf mit dem Kopff und leibe unter seinem lincken arm hindurch, und tret mit meinem lincken schenckel nach seinem rechten bein, und richt mich auff, so hab ich in auff meiner lincken huffe gewaltiglich.

Dis ist alleine eine figur oder vezeichung des abwindens uber den Arm, daraus nachfolgendes stucke gehet. Thereafter I run with my left leg behind towards him. Darnach spring ich mit meinem lincken schennkel hinach, so heisst es der Trapp, und gebe mich aus meiner wage, so heisst es da Radt ayerswald dem Manne. Then I come over his left arm with my left arm, and step with my left leg behind his right heel and pull him over my right knee. This can be done left or right.

Da fall ich mit meinem lincken arm uber seinen lincken arm und trette mit meinen lincken Beine hinter seine rechte ferse und ziehe in uber mein recht Knie, Das man linck und recht nemen. Thereafter compose yourself as shown in the following figure. Da trette ich mit meinem rechten schenckel schlim zu seinem rechten, Darnach halt dich, wie folgende figur anzeiget.

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This device I do thus: There must be one arm on top, and the other must be underheath, and when he wants press me onto himself, then I step out with my right leg behind his left, and lift up high with my left arm from the inside to his right leg, and bend a little backwards, then I have full power over him.

Das stuck nem ich also, Es mus ein Arm oben, der ander unten sein, und wenn er mich wil zu sich drucken, so trete ich mit meinem rechten Bein naus hinder sein linckes, und hebe mit meinem fwbian Arm von innwendig zu seinen rechten Schenckel inn die hohe, und gebe mich ein wenig uber ruck, so bin ich seiner gantz geweltig.

Here again must one arm be above, and the other underneath, and I press hard forward with my chin beside his neck. Alhie mus auch ein Arm oben, der ander unten sein, und drucke ich hart mit meinem Kin neben seinen Hals nein, und wenn ich mercke das er bewget, so kome ich mit meinem lincken Arm zwischen seine Beine, und ziehe In zu mir, Dringe In oben mit dem Kin von mir, so habe ich in wie ich wil.

Then I step out with my right leg over his right leg and use the hip and pull him over it. If I Do not let him fall, then his right leg wuerswald before my right, and I then step with back with my left leg, then he throws me over also. It is gentlemanly of him.

Dis sind die zwo Huffe, das auch ein Arm oben der ander unten ist, Darnach tret ich mit meinem rechten schenckel uber sein recht Bein naus, und neme die Huffe und zihe in heruber, Las in nicht fallen, so kompt sein rechtes bein fur mein rechtes, und trit mit seinem lincken schenckel hintersich, so ziehet er mich auch heruber, das ist sein Geselliglich.

Wenn mich einer vorn ins Wammess fast, so wisch ich mit meinem Elnbogen hart an seine faust und geb mich nider inn die wage, so reis ich mit meinem Elnbogen seine faust heraus und gebe mich auff, folge mit meiner rechten Hand nach, trete mit meinem rechten schenckel naus und neme die rechten Huffe, die gehet gewaltiglich.

When I have pulled away both his arms, then I have both of my arms undereath. I then grab hold of both of his legs with my arms and lift him onto me and push my knees apart, I bring both his legs over my knee. Wenn ich einem beide Arm ausgerissen habe, so habe ich beide meine Arm unten, so erwisch ich mit meinen armen seine beide Bein und hebe in zu mir und gehe mit meinen Knien von einander, so bringe ich seine beine uber mein knie.

When someone has both arms under and presses me to himself with power then I place my right hand under his chin and push him away from me. And in pushing through I step with my right leg into the back of his left knee. This piece also goes left and right. Wenn einer beide Arm unten hat und druckt mich mit gewalt zu sich, so kom ich mit meiner rechten Hand unter sein Kin und dringe in von mir, und im dringen, kome ich mit meinem rechten Bein hinder sein linckes inn die Kniekele.

Das stucke gehet auch linck und recht. Archetype Transcription by Ingulf Kohlweiss. Here I grab hold of his left hand which push upwards and slip my head under his left arm and through, and step with my left leg between both his legs.

Then my left hand comes between his legs and I straighten myself up and lift him up in the air. When he grabs hold of me with his right hand then I use the left hip.

When he grabs hold of me with his right arm over his left, then I reach over on his neck with my left arm and step forward with my left leg and use the left hip which goes completely freely. When he steps in with his right leg and does the half hip then his foot comes outside my right foot.

Then I fall with my right knee onto the back of his right knee and press down into the balance, and thus he is brought voon his knees. Just when he runs in then I put my left hand on his left shoulder. With it, I pull him over backwards and grab him by his right leg, and heave him up high into the air. When he steps out with the hip then I put my left arm over his right shoulder and onto his neck and press him onto me with my left hand.

Thereafter I reach with my right hand and grab him on the outside of his right leg and heave him up to the left side.

Then I have subdued him. When he tugs at me with the left arm outwards, then I step out with my left leg behind his right and with my left elbow I force him over backwards and catch him between his legs with my right arm. This piece goes left and right. When someone has me in a leg hook then I strike out his right leg with my left leg and grab him by it with my right arm, Lift him up, and then I have all power over him.

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That when he would use the head first topple on me then I use the fabiab. That is a good aid at least. While entering, I sweep with my left leg on his left heel and pull him back with my left hand.

Many do not see this technique coming. When he stands in a leg hook on me and I have stretched my left leg so auersaald he grabs me by the bar and as he grabs me, then zuerswald I step out with my left leg, out and behind him, and quickly stoop down low into the balance.

That way his auerswapd is countered. That is what this piece is called. Have good caution with it and it is called “the left arm bar”. If he would make an entry of the hip, see to it, that you do the bar with the fabiwn arm under and through his left arm and get down quickly in the balance on the left side.

I strike his left hand out with my right hand in and grab him over the shoulder and run in with my right leg on his right leg then I am right in the leg hook. When I put my left arm over his left arm then I must place my arm high between his legs, when I push up his left arm, it must break or he will fall. When he stands with straight legs then I thrust auerswaldd right leg onto his left kneecap?

But if he stands vabian a correct balance then I cannot do this. From it goes the backward throw: Here I come with my right arm over his left arm, from a wind outside in behind his left elbow.

And if the arm does not break. Then I sweep out his left with my right leg. When I am in the hook then I turn my left foot in towards him. Here the leg hook and the hips must be firm into him. Then I lean backwards, and do a powerful backward throw.

Fabian von Auerswald

From the outside leg hook goes the slant thusly. If he is to heavy for me in the leg hook, then I grab his right leg with my left arm and heave it up.

Thereafter I step with my right leg behind his left. Then I have full power over him. With my right thigh, I go high, as high as I can and turn around to the left with my body stay up with my leg high in the air then I fall over on top of him.

When he stretches his foot out of the hook towards me, then I aueeswald with my right leg outside by his right foot, and stretch my thigh. Fabiann I am in the hook and my opponent stands with his feet too wide apart.

Ringer Kunst (Fabian von Auerswald) ~ Wiktenauer ~☞ Insquequo omnes gratuiti fiant

Then I step in front of him with both of my legs and as I step, step down low in the balance and straighten myself up behind, thereafter I to pull him up and over forcefully. When I am in a hook with someone and he stands too wide against me so that I cannot take the other hip.

When someone would press me onto him and I cannot take the hip then I step out of the hook with my right leg as wide as I can and press into the middle of his back with my right elbow so that he must fall under me.

When we sweeps under my right arm with his head. Then I take the backward throw as I also would in the right hook. One stands in the hole and may not remove his leg from it and his opponent must hop on one leg. Much art comes of this and it is funny to watch. When he lets go of my leg hook, then I stoop through under his right arm with my head and my right arm above comes his neck and my left arm comes between his legs and then I run to the right with him and I stay the whole time with my left leg in the hole.

When your opponent is about to take the hip. So I stand with my right leg high in the air against him.