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Rijeka Sava u povijesti zbornik radova. A large number of buildings shown on the model have a multy-storey construction of unclear purposeat this moment, from which only parts of the building volume go upward. In this sense, it would be inappro- Fig. Late imperial and Art Nouveau periods were in my main focus. Although such analogy is civilizationallyun- founded due to the proportions of the area occupied by that district, it can be found in apolo- getic announcements of pragmatic daily politics.

Remember me on this computer. In later modifications not supported by valid explanations to Belgrade profes- sional community and institutions the tower height was increased to meters and its shape changed to a tabular tower with two rotated segments Fig. This is es- pecially the case in countries burdened with economic crisis, where the basic principles of heritage protection are ignored for the sake of attracting foreign investments and creating new jobs.

EPILOGUE Regardless of multiple objections, the investors still insist on the construction of objects that are, according to the common attitude of the most competent experts from Belgrade, inap- propriate for any layer of local cultural tradition8. Architectural historian, Chief of Dept. Likhachev International Charitable Foundation, In the beginning, there were not any public reactions or doubts raised regarding the project, and even today its author is unknown.

Although architectural and ur- banistic interventions within the Sava River waterfront after did not significantly change the existing situation, the key problems of its Fig. Vizuelnost i kreiranje gradskog identiteta —Beograd: In the end, a view of Belgrade can be blocked and obstructed only once.

Log In Sign Up. The first project designed for both banks of the Sava River was a commissioned conceptual design of the administrative center of the Non-Allied Movement, which was not further elaborated for political reasons. In the meantime, the hastily made political decisions about not limiting the number of floors should be re-examinedand some reputable domestic designers should be hired.

An earlier version of the Belgrade Waterfront that purpose. Guided by the interests of daily politics declarative and publicthe initiators of these globalization recastings usually avoid local creative forces, engaging foreign branded design companies.

Help Center Find new research papers in: The hosts from Likhachev foundation supported all my interests and needs, and organized my cooperation with many prominent curators and historians.


Representative buildings constructed on the right bank of the river, covering more or less the area of the Amphitheater, have become key factors of cultural identity in the demograph- ically enlarged capital of the state. Regarding the scheme, the structure of the initial project has been gradually changed, first by adding a meters high cucumber-liketower on the kadiijevic bank and a less spacious shopping mall.

Kako se ne gradi grad? The project was not made public, although it contained some innovative kadikevic technically applicable solutions for the area along the right bank of the Sava River. In the first place, on the basis of the model and elements of the presented blueprint, 5 It was reported on 26 April, that, according to the contract signed with the investor from the Middle East, half of the specified facilities should be build in the next twenty years, and the rest later.

However, the kadijevjc istic and architectural activities on the waterfront were not all techni- cally balanced. Photo of a part of the model behind aleksandr railway station priate to talk about the treatment of toward the Sava River bank the heritage on the spot.

Mainly initiated without public competitions, these voluntaristic undertakings are usu- ally justified by the support obtained in the elections.

Reka i gradski prostori u Srbiji. Only this kzdijevic explain why the waterfront on both sides the Sava River aleisandar constructionally neglected for decades, and not regardedas the point of meeting or connection.

The quest for the desired city image. It suffered from frequent floodings and war activities, which delayed the making of strategic decisions about its regulation.

Daily newspaper Politika in its Sunday issue of March 22,on page 13, presented publicly for the first time a computer-generated image of the new city district as seen from the opposite, right bank of the Sava River Fig.

Aleksandar Kadijevic

It is very likely that, over the course of time, the problematic nature of the plan of regulation will lead to the producton of an incoherent urban structure in the most elite location. Click here to sign up.

Michael the Archangelconveying a strong political message Fig. Devoid sleksandar the common, plain typology, morphology and customary coloring of the Euro-Mediterra- nean urban tradition, it interacts with the existing spatial-cultural matrix in a degradative way. Hence the assent given kadijevoc those in charge ofthe protection of cultural monuments to the implementation of the project can be considered unexpected. It will be the first historiographic dictionary on aleksandarr subject, with almost illustrated biographies of architects and civil engineers, who constructed a great kadijevid of important buildings across Yugoslavia.

Hence, it would be perhaps the most appropriate that the investor constructs some other build- ings in that area or out of it on a wide stretch of the Danube waterfront or in New Belgrade. The organization of fellowship was excellent and our daily programs were very structured.


Skip to main content. The fellowship is related to preparation of The Dictionary of Russian architects in Yugoslavia Devoid of the common, plain typology, morphology and customary coloring of the Euro-Mediterranean zleksandar tradition, inherent to the visual identity of Belgrade, the project considerably modifies the centuries old cultural matrix. This can be easily checked by comparing the cross sections perpendicular to the Sava River simultaneously in old and new city blocks, starting from the river to the higher levels of the city in the area of Slavija Square.

The Sava Amphitheater is a geographical term that comprises the terrain from the Belgrade Ridge in the northwest under the Fortressover Terazije and partially Krunska street,toward the St.

Aleksandar Kadijevic

The main architectural and urbanistic impression regarding the project originally defined by the model and only then elaborated in ablueprint is that it is a densely built-up apartment-commercial complexwith individual high-rise buildings 15—25, and morewhat in the globalization architectural practice has become a code generated for opposing the local heritage.

Only a few institutions provided a principled resistance to the abusive alterations of visual identity of Belgrade, and these are: Namely, the general approach to thesection on both banks of the Sava River covering the area from apart of the highway passing through Belgrade to the confluence of the Sava and the Danubein the north offered the possibility for the capital to compensate for chances missed throughout the history for consolidation of fragmented parts in this area.

In that first version, including several varieties set out later, the specified constructions were of much less capacities and parameters than it is the case today when resi- dential, commercial and infrastructure facilities of extensive square footage are predominant Fig.

A globalization dull architectural style is evidently being imposed to Belgrade through an extremely simplified geometric forms and urbanistic concepts appropriate to the climate and Fig. It can not be neglected, but in Serbia rarely kasijevic, that the central zone of New Belgrade, for ideological reasons, was directed predominantly north-south, marching thus toward the historical city on the right bank.

Aleksandar Kadijević

Enter the email address you signed up with and we’ll email you a reset link. Imposing dull simplified geometric aleksamdar and urbanistic concepts appropriate to the climate and social needs of the main investor from the Middle East, the project radically changes visual identity of the Serbian capital profiled over the last two centuries of independent architectural development. It was commissioned by the newspaper and was not a part of the marketing campaign of kadijevuc investors.